Friday, May 22, 2009

A Lot Of Good Art Going On . . .


The other day Archie and I headed to the West Loop to check out some of the new shows. I'd been out of town on opening weekend and was really excited when I read the there was a Mel Bochner show at Rhona Hoffman Gallery. I've only recently become more familiar with Mel's work and he has become one of my all time favorites (right up there with Tom Friedman). The show looked great and it was nice to catch up with Kat and Charlotte and Rhona.


Next it was off to Kavi Gupta Gallery to see the new show by Clare Rojas who is another one of my all time favorite artists. If I had the money, I would of bought everything in the show!


This Wednesday I'm flying to NY to see two openings tha I am really excited about: Brian Ulrich's show on Thursday night at Julie Saul Gallery and Will Lamson's new exhibition at Pierogi on Friday night in Brooklyn.

All of these shows come highly recommended, go check them out!

Wednesday, May 20, 2009

Guest Blog Entry: By Shawnee Barton


Mondelli's Lounge and the condofication of Chicago

I haven’t always been “anti-condo”. We adored living in the old building on 14th and Michigan, which was once the first private hospital in Chicago, even though it sometimes felt like living in a museum. The condo board protected the original marble floors and 16' tall windows to annoying excess. Moving furniture in and out required a permit, a lecture on conservation, and hefty fee. We’d often have to maneuver, with arms full of groceries, around groups of architectural tourists to get into the building. But doing these things felt right. It was the price we paid for the privilege of living in a bit of history.

Unfortunately though, less than six months after we moved to 14th and Michigan, the earth-shaking rumble of pile drivers started waking us up every morning. In 2005, the city of Chicago limited the number of allowed condo conversions in existing buildings, so developers started leveling entire blocks of the South Loop. Glorious, old buildings on all sides of us were being destroyed, and it felt like a personal attack. When you live in a city, your neighborhood is as much a part of your home as the furniture inside your four walls.

Sadly, it turns out that Chicago has a long history of destroying its architectural history. In 1972, Richard Nickel, an architectural photographer, died while hurrying to photograph historic Chicago buildings before they were demolished. He was in Louis Sullivan's Stock Exchange building when the ceiling came crashing down on him and his camera. An article published in the New York Times a few years ago called Chicago a “battleground” in the “preservation-versus-development debate,” and unfortunately the stalled economy isn’t slowing the destruction down. This past year, the eleven downtown blocks of Michigan Avenue were placed on The National Trust for Historic Preservation’s 2008 List of Most Endangered Historic Places.

This is all very sad, but I can honestly, and perhaps embarrassingly, say that it didn’t hit home to me until one afternoon when I needed a drink. I headed straight for Mondelli’s, my favorite bar, only to find a crane swinging a wrecking ball into the building. I cried right there on the corner of Oak and State. It truly broke my heart.

Mondelli’s was rumored to be the smallest bar in Chicago, but what it lacked in size it made up for in character. Old Chicago gangster photos lined the walls and busboys shuttled hot and delicious pastas in from the old-school Italian restaurant next door. The raspy-voiced bartenders ditched the typical mini-skirt and boob-revealing uniform and wore sweatpants, 80’s mom jeans, or whatever they felt like wearing. They made a killer drink called the “espresso martini,” and playing the widest variety of good music you could imagine.

Because it was such a small bar, you would eventually end up talking with the folks around you. My favorite regular parked his Harley on the sidewalk right next to the front door and always wore a black leather vest that read “National Hair Piece Designing Champion” across the back, and he wasn’t some poser hipster. He actually was a Harley-riding National Hair Piece Designing Champion.

I’m not quite sure how such colorful individuals managed to find this place in a neighborhood filled with uppity boutiques and trendy night-clubs. It was our own little misfit island, and that’s why I adored it. This place was my Cheers, so it seemed only fitting that it was the last place I visited when our family left Chicago for a new life in California. My husband waited in the loaded-down Honda while I placed a small commemorative plaque and a bouquet of flowers along the fence around the construction site.

The guys on the demolition crew were surprisingly open to my memorial. Several of them asked me about the bar and even told me about their favorite watering holes. I had previously found perverse pleasure in vilifying the workers, but after ten minutes of talking with them, I realized that they were just doing their job. The foreman promised me that my plaque would hang on the fence for the rest of the day, and I got a little sense of comfort knowing that those men knew that the building they demolished was special and that the land they cleared for condos was loved.
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This was posted by Shawnee Barton, an artist who keeps a blog on other people’s blogs. If you have a little nook of cyberspace and are open to welcoming a guest poster, please email her at shawneebarton@gmail.com. She will be grateful. To see where she is headed next, check out shawneebarton.com.

Wednesday, April 22, 2009

Treblinka


Today I checked out the book "Treblinka" from the Harold Washington Library here in Chicago. I first read the book when I was twelve and in Hebrew School in order to prepare for my Bar Mitzvah. Back then it was an assignment just like any other; however, lately I've had a renewed interest since I'm travelling to Poland for an exhibition in a week and am planning on visiting the camp (it is actually a memorial, the camp itself no longer is standing). I wanted to re-read Treblinka so that when I stand on the actual site, I will have some kind of a connection with the history of the place. The more I read, the more I think that it will impossible to register the connection between the memorial and the history.

Although my ancestors on my father's side were Eastern European Jews, they had long been living on the Lower East Side of Manhattan by the start of the war. My mom's side of the family was a different story. My grandmother grew up in Czechoslovakia on a farm with her grandparents. She was not Jewish but her grandparents owned a farm that the Nazis wanted and they ended killing them to take their land. My grandmother saw her grandparents die and after escaping, she immigrated alone to NY in 1938 at 18 years of age.

My grandparents had different ways of dealing with the war, my mother's mom never talked about it and never had any desire to return to the continent. My father's mom reacted by boycotting German goods until the end of her life (apparently very upset when my parents bought a Volkswagon Beetle in the late 1960's).

As for me, I didn't meet anyone from Germany until I was 22. I was living in Guatemala at the time and shared a house with my dear friend Ute. For me, the war was something of the distant past. I found that I really connected with the Germans that I met and their uniquely dry sense of humor. That being said, I remember the first time that Ute and I talked about the war and to my surprise, the war was still very much alive for her. She still carried a degree of guilt, This was really eye opening and made me feel even more affection for her.

Two years later I travelled to Germany to visit her and have been back since to exhibit my work in Munich. Although I felt removed from the war (my father wasn't even a twinkle in his mother's eye), I was acutely aware of the history of the place. My gallery is on Ludwigstrasse which is the street where Hitler held his early rallies, it was pretty intense to stand on the same spot where the Third Reich was born and I felt it pretty deeply.

And so next Sunday I depart for Poland and to the site of the Treblinka Death Camp. One of the amazing things about Treblinka is that it was one of the few camps to rise up in revolt. It sounds insane to say that I'm looking forward to the experience but it is something that I've always wanted to do and I'm sure that it will be profound. I've found that my relationship with the Holocaust has greatly changed since I've become a father, it has become even that much more unfathomable.

Below you can find a documentary about the events leading up to Treblinka, it is long but interesting. I'm sure I'll post again on this theme after my return.

Sunday, April 12, 2009

The Sweet Spot

I'm excited to say that I've started to make real progress on my newest project, "The Sweet Spot." Essentially, I've been mapping the train platform at my local station to find the spots where I have the greatest probability of standing where the train door will open (thus getting a seat). I'm starting to propose exhibitions of the piece so keep your fingers crossed and keep your eyes out for further updates.

Procrastination



Procrastinating this evening, I came across this video for the song "Face of Jesus in My Soup" by Avi Paul Weinstein. I felt it to be especially relevant considering today is Easter . . . despite the fact that I'm Jewish. Anyhow, the video consists of found footage from the local library of international driving instructions. Enough dicking around Gitelson, get back to work!

Friday, April 10, 2009

Chaucer, Cellini and 365 Star Style Secrets

As I am prone to do at least once a year, on Wednesday morning I locked my keys inside of my car. The one silver lining was that I happened to do this directly across the street from an auto garage. While I was waiting for them to unlock my door, I sat down in their waiting area in order to flip through their magazine selection. I must have been in an extremely intellectual part of town because the reading selection ranged from In-Style, Time and Hispanic Magazine to Chaucer and Cellini. Fortunately for me, they were able to open my car door before I had a chance to reach the conclusion of The Canterbury Tales

Thursday, April 09, 2009

This Dude Got A Guggenheim?????????

Of course he did! I'm so happy that three of my good friends were all awarded Guggenheim Fellowships yesterday: Brian Ulrich, Anna Shteynshleyger and James Nakagawa. All three are great photographers and great people . . . Midwest Represent!

Sunday, April 05, 2009

Guest Curator #7: Shawnee Barton



This was posted by Shawnee Barton, an artist who keeps a blog on other people’s blogs. If you have a little nook of cyberspace and are open to welcoming a guest poster, or if you're a video whiz and want to help her with her crashing trucks/fireworks project, please email her at shawneebarton@gmail.com. She will be grateful. To see where she is posting next, check out shawneebarton.com.


"Once upon a time, I wanted to make a video where a semi-truck carrying firecrackers crashed head on into another truck and a large scale fireworks display erupted with symphony orchestra music and all.

I never could figure out how to make that video, but while I was looking for footage of trucks crashing, I came across these old drivers training videos that are super gruesome. They have names like "Wheels of Agony" and "Mechanized Death." I liked them so much, I ordered the whole set from the Ohio Department of Safety . Anytime I want to impress someone, I pop these bad boys in the dvd player and show them off like they're like a big-horned hunting trophy or a limited edition Princess Diana plate."

http://www.youtube.com/watch?v=yx-rXEdaGao
http://www.youtube.com/watch?v=F5fHQyp9ytA&feature=related
http://www.youtube.com/watch?v=G844qTtTShA&feature=related
http://www.youtube.com/watch?v=Rzr7CHX_0b0&feature=related